In Pakistan come in Italia. Intervista alla regista Seemab Gul sul film Ghost School, che racconta il fenomeno della dispersione scolastica.
Archive Film and TV
“Woman Unknown” di May el-Toukhy è un coraggioso racconto sulla guerra dal punto di vista femminile, scomodo e anti-assolutorio.
Il film NAZA di Yuval Abraham e Rachel Szor in concorso a Venezia 83 mostra la finalità terroristica costitutiva dell’esercito israeliano.
Bunker di Florian Zeller forse non è il film più bello in concorso a Venezia 83: ma è di certo il più spiazzante e interessante.
Here is the full Italian translation of the Berlinale award speech by Palestinian-Syrian director Abdallah Al-Khatib.
Interview with Sepideh Farsi, author of “Put your soul on your hand and walk”, with the Palestinian photojournalist Fatma Hassona.
The Nigerian film industry employs 250,000 people for around 2,500 films a year: it is the second largest employer in Nigeria after agriculture.
Interview with Omar Alqam, the Palestinian Red Crescent paramedic who answered Hind Rajab's call.
“Palestine 36” recounts the years of revolt against Zionist colonisation of Palestine, before the State of Israel was born.
“La vita va così” by Riccardo Milani opened the Rome Film Fest with the true story of a Sardinian shepherd determined to defend his land.
“Tutto quello che resta di te” lays bare Palestinian history as a story of a long struggle for resistance and humanity.
“Qui vit encore”, presentato a Venezia, è un microfono aperto all’umanità e al bisogno di raccontarsi dei sopravvissuti al genocidio di Gaza.
The voice of Hind Rajab brings to life the cinematic neorealism of this century. She puts art at the service of the truth of the human condition.
Una riflessione politica e umana mascherata da recensione di Star Wars e Andor.
“Mohammad Rasoulof's ”The Seed of the Sacred Fig" brings to life a magnificent story built on interwoven planes, like the truths of a revolution.
“Adolescence” films an adult world incapable of understanding the codes with which today's adolescents are preparing for a future of violence.
We met Sergio Rubini at the Milazzo Film Festival, asking him a series of questions about the political state of cinema.
An Oscar contender for 2025, No Other Land respectfully and truthfully recounts the life and resistance – one and the same – of Masafer Yatta, in the West Bank.
The absence of political content from the songs of Sanremo 2025 reflects a climate of national depoliticisation that serves authoritarianism.
Walter Salles issues a deliberate warning: remember what it meant for ordinary lives and families to live under a dictatorship.
“M. The Son of the Century” shows a fascism we had never seen: theatrical, artistic, a physical fact. A fact of violence.