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Da qui, da Gaza, sapere che la Flotilla è in viaggio è un modo per sentirci meno soli, e che l’assedio che subiamo non ci isola dal mondo.
For us Palestinians, the cover of the Italian magazine *L’Espresso* marked the moment when the truth about the dehumanization we endure finally came to light.
Italy is ramping up arms exports: an 87% increase in four years. Arms sales to Israel remain a contentious issue. By Marianna Lentini.
Orbán’s defeat in the Hungarian elections marks the end of an era, but many of the principles of his sovereignist agenda have since been adopted.
Palestinian Ahmad Salem sentenced to four years for resistance videos found on his phone. “Self-training in terrorism.”
The Balkan route is the most dangerous path for those seeking a new life in Europe. In Bosnia, Nihad Suljić is helping restore dignity to the victims.
The history of Hezbollah cannot be reduced to the simplistic label of “terrorist group.” We discuss this with journalist Riccardo Cristiano.
Trump’s crude remarks at the Future Investment Initiative in Miami reveal some truths about who decided to go to war in Iran and why.
Iranian researcher Minoo Mirshahvalad: “My people are caught in the devastating paradox of two wars, both waged against us.”
Our photo essay from the No Kings demonstration in Rome on March 28. A diverse array of human stories, with Palestine at the center.
The report “Made in Italy for the Genocide Industry” documents Italy’s structural and material complicity in genocide.
In addition to being a pedophile, Epstein was an ideologue of racial superiority. Together with his inner circle, he pursued a clear-cut eugenic vision.
The story of Jeffrey Epstein and Ghislaine Maxwell is a textbook example of domination, underpinned by supremacism.
The files on Jeffrey Epstein reveal abuse, testimonies, and high-profile names, but leave the question of who is truly responsible unresolved.
In Italy, the possibility of grassroots renewal of society is stifled by a pervasive moralism that goes hand in hand with resignation to the status quo.
An analysis of online networks within the manosphere reveals isolation, a crisis in social bonds, and the risk of misogynistic and violent radicalization.
From Massa Carrara to Pisa and beyond, incidents of criminalizing dissent continue to occur: the aim is to portray it as a social pathology.
Paradoxically, the pursuit of hedonism and instant gratification has undermined our ability to experience pleasure.
Amid growing public protests, real estate speculation continues in Rome, despite the progressive city government.
From the September 2025 paddle-out to the Hanukkah massacre: the story of a beach that became a battlefield.
The League has introduced a bill on citizenship that has a single purpose: to deny it through a “merit-based” screening process.
Un laboratorio di disegno e pittura a colori davanti al mare di Gaza. Scoprire cos’ha inventato Noura mi ha donato una speranza.
The situation is growing increasingly urgent for students in Gaza who have received scholarships to study in Italy but are still stranded in the Strip.
1.9 million people in Gaza have been forced to live in tent camps for years, while Israel now controls nearly 60% of the Strip.
International Workers' Day, also known as Labor Day or May Day, is…
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Fra culto dell’apparenza felice e solitudine delle dissonanze, cosa cerchiamo nelle persone e nella società?
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In *The Tribune* on December 14, 1945, George Orwell published an article that would go on to…
Orwell reflects on postwar justice and sees collective blame as a moralistic cop-out that paves the way for new crimes.
Orwell’s first book, *Down and Out in Paris and London*, is a personal account of life in those two cities in the 1930s.
In a literary reflection that spans Dickens, Swift, Huxley, and Orwell, he examines the relationship between socialists and utopia and happiness.
In Chapter 3 of *Animal Farm*, Orwell describes the division of labor among the animals and the beginning of the distinctions between them.
In 1944, in an article in *Tribune*, George Orwell uses Ezra Pound as an example to reflect on the connection between the work and the artist.
